BIRUSHANAH Osaka, Japan
Tribal sludge metal band from Osaka Japan. Japanese scale melody and heavy guitar,hammered drums feat metal percussion.
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supported by 6 fans who also own “Kazoeuta -数え歌-”
I have already talked about my love for Asunojokei, but it is still as strong. The screaming and whining on this album is especially good, Asunojokei continues to impress me.
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supported by 6 fans who also own “Kazoeuta -数え歌-”
Floor-to-ceiling Boris ragers! It’s like they looked back on songs like Statement and Woman On the Screen and said “let’s do a whole album like that!” Most of these tracks don’t even pass 3 minutes! Zerkalo holds up the middle with some anguished doom. In the end, *NO* is as strong and declarative as it’s title.
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supported by 6 fans who also own “Kazoeuta -数え歌-”
I never liked the screaming vocals of black metal... HOWEVER, this album changed that. It's blackgaze with a touch of J-pop into it, and it's one of the most pleasent combination. The lyrics are disjointed and abstract but are meaningful, lots to deconstruct here.
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The metal’s band revelatory new record crosses genres and styles, effortlessly combining seemingly incompatible subgenres.
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The Virginia metal band’s fourth album ventures into uncharted stylistic waters.
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featured on Bandcamp Radio Apr 26, 2024
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supported by 5 fans who also own “Kazoeuta -数え歌-”
one of the most beautiful albums i've ever heard. in my top20 best album of all time. just artfully done and meticulously produced, all around,
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